Florin Eugen Zamfirescu: The Universe Vibrates

TeodoraaART Gallery is pleased to exhibit a new series of original paintings by Florin Eugen Zamfirescu.

"The Universe Vibrates”  is a narrative about the mysteries of the Universe and the artist's attempt to understand and decipher them.
September 12th - September 24th;
Tuesday - Sunday, 11noon - 6pm.
Florin-Eugen Zamfirescu:  “The Universe Vibrates” – is a narrative about the mysteries of the universe and our struggle to understand and decipher them.  The central character of the series is the “proto-scientist”, who I consider the real hero of our times. He does not possesses superpowers or magic tools. Humanity has never been saved by miracles. What we need is a never-ending curiosity, a thirst for knowledge and tools to help us understand and interpret the great unknown.


Betty White: "Poesis"

April 29 to May 27

Opening Reception: Saturday April 29  3-6PM

Betty White: Floating

Betty White: Floating

Appreciating Betty White’s work is both a rewarding journey and an extraordinary destination.

Her masterful pencil discovers faces with minimalist economy while imbuing them with a Renaissance quality. Her materials, the handmade paper, the pigments, the occasional collage elements such as bark, resonate as elements of nature from which true art has always been formed. White’s subjects, faces, trees and branches, spaces filled with glowing light, and more faces, regard us gravely. They seem to know what we often forget, the unity or mysterious conjunction of space and time, and our innate connection to it.

Through her works, we rediscover the continuity of generations linking the distant past with an inevitable future, ancestors and descendants reflected simultaneously. More than this, the human essence we encounter unveils the elemental bond between the earth and sky, between the corporeal and the spiritual.  The human is not so frail after all. In the faces we study, absorbing their personalities, we begin to see what makes us each both unique and connected. White’s work unveils the soul.

Both consciously and by their relationship to the earth and sky, these faces express far more than the immediately poignant joy and sadness, the powerful echoes of personal history and surviving hope for the future.  They weave us each into the intricate fabric of humanity in all its range and nuance of experience. Their essence connects us to the transcendent core of our very nature, aligning birth, life, death, and re-birth into an eternal continuum. Our human spirit lives here, in all its complexity and simplicity. White delivers both our essence and its conjugation of timelessness with subtle artistry, and ultimately, with love.

This is work to live with, to engage and develop a long term relationship with. It grants insight, and recognition of human nature in intimate and spectacular scope.

Vera Ignatowitsch 2017

Betty White-Ode to Louis Barrault_ copy


Pica: From the insubordinate Gardens

October 14 to 28

Opening:   Saturday  October 17,  3-5PM

Insubordinate sead 1

The paradoxical nature of gardens - that they are both wild and cultivated,  or in the artist’s words, “insubordinate” and “subordinate” - is the central concept behind Teodora Pica’s new series of acrylic and mixed-media paintings. Not only does she focus on this contrast though, she also evokes the mysterious mood of what inspired her paintings: the exotic Jibou Botanical Garden in Transylvania.

Amidst the rolling green hills and fields of Transylvania, dotted with terra cotta-coloured roofs and the sun-bleached white brick houses they top, stands a former castle now serving as the artist-in-residency where Pica completed a two-week stay. Surrounding the castle is the Jibou Botanical Garden – an exotic oasis of flora ranging from a bed of cacti, to a herbarium, to a Japanese garden. Imported as well as local plant species growing freely outside and in greenhouses juxtapose the wild and the manicured.

This natural versus cultivated contrast, which Pica deems “insubordinate” versus “subordinate,” serves as the conceptual anchor for a new series of acrylic and mixed-media paintings she created back in her Toronto studio. The artworks depict mysterious flora and seeds bursting with “insubordinate” painterly energy. Displayed like herbaria (preserved plant specimens), that is, as central images on white paper, her fantastical collection of plants and seeds stands equally as a testament of the flora’s “subordination” to orderly display and of the artist’s memory of the gardens. In other words Pica interprets her theme both literally and abstractedly; while she directly illustrates contrast, she grants equal focus to evoking the essential mood of the Jibou gardens.

Take for one instance a series of four small paintings in which bold, jagged outlines render seeds that sprout wings. The wings symbolize nascent unbridled growth, as stressed by the loose painting and scratched over delineations that render them. Simultaneously, their clean, spare compositions reflect the conscious, careful organization of a garden. As Pica wryly observes, plants “become subordinate when put in artworks.”

Here the artist implies that gardener and garden work together as a metaphor for the artist and the dilemma she faces in attaining that elusive ideal image: whether she should carefully, consciously control it, or whether she should let it take its own spontaneous course. The image, confined by the shape of the paper, the limitations of the media, and the standard rules of composition, struggles for its freedom. Ultimately, “insubordination” allows the image to bloom to its highest potential of beauty, as these splendidly uninhibited paintings perfectly demonstrate.

- Earl Miller - independent curator

April group exhibition




March Exhibition: sculptures and paintings by PICA












We are excited to launch the new Pica Sculptures 2006-2014 catalogue by the end of March!

Betty White: February 5-28

betty white poster

 The YELLOW SKIRT,  mixed media work on paper, 2014

Using a complex repertoire of materials and style, with each work Betty White remains faithful to her oeuvre, in which the dimensions of the figurative multiply with appreciation, extending far beyond story image into the past and future, from fact into idea, and from the subconscious into the spiritual.

Betty White’s art works are almost always figurative, yet the faces they portray are as much stories as they are doors, open to co-existing dimensions. Rarely do they smile, yet these visages promise intimate knowledge of the entire panorama of human emotion. Rarely do they look back, but their bones map the journey of their ancestors, marching remorselessly into the future. At the same time they float, melding as effortlessly with the eternal and our oneness as they do with the physical reality of life’s day to day struggles and triumphs. They inhabit this world and are of it, with roots reaching deep into the earth for water and nourishment, and spirits that embody life’s experiences, while their auras link us all to the eternal, to hopes and dreams, to joys and sorrows, and ultimately to the soul of all human existence.

To visit White’s faces is to reside in their lovingly crafted habitat, one that acknowledges our lives on every level, from the deeply personal to the cosmological, all nested naturally within the continuum of history and time.



NOVEMBER  to December 6,  2014


“The majestic forms and wild energies of Nature that surrounded her from her infancy, impressed their character on her mind, communicating to it all their own wildness, and more than their own beauty. Far removed from the pageantry of courts and cities, her … attention was awakened to spectacles more interesting and more impressive: the misty mountain-top, the ash-fringed precipice, the gleaming cataract, the deep and shadowy glen, and the fantastic magnificence of the mountain clouds. The murmur of the woods, the rush of the winds, and the tumultuous dashings of the torrents, were the first music of her childhood. A fearless wanderer among these romantic solitudes, the spirit of mountain liberty diffused itself through the whole tenor of her feelings”…                      Peacock, Melincourt (1817)

Excerpts from the Book of Entropy

Search for the Perpetual Motion Machine of the Second Kind

Search for the Perpetual Motion Machine of the Second Kind   22"x34", archival ink on acid free paper edition of 8


September 6 -  October 4, 2014

Opening Reception:   September 13,   2-6 pm 

COLONIZING - a drawing exhibition by T. Pica March 29 to April 19

COLONiZING exhibition




Rafal Zawistowski - gallerie's new artists

November brings us a new solo show of paintings and a new artist in the gallery.

He is Rafal Zawistowski, a Canadian artist living and working in London, England.

Check out his "AURAS" exhibition arriving:

November 16 - December o7, 2013         Opening reception: November 16,    3-6PM